Satire

“The Audacity” Is a Brutal Silicon Valley Satire with an Agenda
Midway through my watch of the new tech-satire series “The Audacity,” I received an e-mail from Google that I had received many times before. My personal data had been...
Adam Friedland’s Comedy of Discomforts
When CBS announced the cancellation of “The Late Show with Stephen Colbert,” in July, a long-theorized concern came true: the late-night talk show was dead—for real this time!—its embalmed...
Watching the “King of the Hill” Revival from Texas
I came to “King of the Hill” late, during the COVID pandemic. The animated hit co-created by Mike Judge ran for thirteen seasons starting in the late nineties. I’d...
How Tom Lehrer Escaped the Transience of Satire
Satire, George S. Kaufman famously said, is what closes on Saturday night. Meaning, of course, that it has a limited run because of its intrinsically circumscribed interest. To this,...
“Eddington” Is a Lethally Self-Satisfied COVID Satire
“Eddington” is a slog, but a slog with ambitions—and its director and screenwriter, Ari Aster, is savvy enough to cultivate an air of mystery about what those ambitions are....
On “Hacks” and “The Studio,” Hollywood Confronts Its Flop Era
For years now, Hollywood has been on a losing streak. In the film and television business, good news has been harder to come by than original stories, with the...