World

“The Audacity” Is a Brutal Silicon Valley Satire with an Agenda
Midway through my watch of the new tech-satire series “The Audacity,” I received an e-mail from Google that I had received many times before. My personal data had been...

Biking Outside the Lines in New York City
Thirty-nine years ago this summer, Ed Koch, the mayor of New York City, held a press conference on the steps of City Hall, where he declared a bicycle ban...

Can Art Teach, and Should It Try?
Calling something “didactic” has become grounds for immediate dismissal. But do the merits of works with an educational bent—from “The Pitt” to “Elizabeth Costello”—suggest we should think again? ...

Rostam Batmanglij Wanders to the Edges of American Sound
Other songs on “American Stories” are more personal. “Like a Spark” opens with a blues riff played on a nylon-string guitar, offset by the appearance of a saz, a...

The Surrealist Blues Poet aja monet’s Jazzy New Album
ElectronicThe English singer, producer, and d.j. Nia Archives stands at the forefront of the modern U.K. rave scene, working primarily in jungle and drum and bass. A rare star...

The Hollow Trickery of “The Wizard of the Kremlin”
Despite such philosophizing, “The Wizard of the Kremlin” can only superficially be called a movie of ideas; it’s a movie of strategies rather than of ideologies, of how power...

Buddy Bradley’s Legacy of Dance
The case that Ashton and Bradley heavily influenced each other is stronger, if also strained. They collaborated on the stereotype-sodden 1932 ballet “High Yellow”—which, if it was not exactly,...

A Ten-Course Tasting Where Dessert Is the Whole Point
The Journey, which Lee débuted earlier this year, on Thursday evenings only, is something of a return to form for the chef. Before opening her bakery, she worked in...



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