World

An Enduring Archive of Queer Writers’ Portraits
Giard grew up in a working-class family in Hartford, Connecticut. When he entered public high school, he was shunted onto the remedial track, because, as he wrote, “it was...
A Pioneering Photographer Revives Her Slide Show of Lesbian Life
For several years, starting in 1979, the photographer Joan E. Biren, or JEB, travelled around presenting a slide show that she’d spent years building. “I started touring at a...
The Shrewdly Regenerative Apocalypse of “28 Years Later”
Perhaps because cannibalism comes with the territory, the zombie movie has proved uncommonly immune to a certain strain of critical attack: the kind that instinctively finds fault with the...
“The Gilded Age” Is a Poor Man’s Period Drama
In the HBO drama “The Gilded Age,” the characters are keenly aware that they live in interesting times. Early in the series, which is set in the eighteen-eighties, an...
Ben Shahn, the Lefty Artist Who Was Left Behind
From the late nineteen-forties through the mid-fifties, Ben Shahn was one of the most in-demand artists in America. Whether you were mailing a package at a post office, flipping...
Are Young People Having Enough Sex?
The virgin allegations emerged about a decade ago. Young people “are so sexually inactive that it practically boggles the mind,” a writer for Bustle proclaimed, in 2016, invoking a...
Do We Need Another Green Revolution?
“Carbon farming and vertical farming are wildly overhyped,” Grunwald concludes. “Plant-based meat has floundered in the market, while cultivated meat hasn’t really made it to market.” He adds, “I’m...
The Magic of Daylight in a Land of Sun Worship
With “P’unchaw,” the photographer Victor Zea captures the light falling on Cuzco, Peru, where people have mixed Catholic and Indigenous Andean beliefs. Source link
Why I Wear the Turban
“The Turban” exposes a paradox. I can’t imagine ever surrendering my turban. It’s become soldered to my identity, serving as both the ultimate in-group badge and a versatile stylistic...
“F1” is a Well-Tooled Engine of Entertainment
In “F1,” a snazzy piece of blockbuster engineering, Brad Pitt plays Sonny Hayes, a devotee of fast cars, beautiful women, and simple living. A professional gambler and an occasional...
“Familiar Touch” Is an Exquisitely Fragmentary Portrait of Memory Loss
We all have our distinct cinematic pressure points, specific kinds of images that trigger a burst of squeamishness. I instinctively cover my eyes whenever I see a character chopping...